Stylistic Characteristics Of The Blues - 880 Words

CH11 Question 1 There are several stylistic characteristics of the blues. The first one is the blue notes, which is the bent technique for lowering the pitch of third and seventh scale degrees in the major scale(259). The next one is the blue chorus, which is three-line lyrics, and it contains fill which is the instrument response of the call and response between vocal and instrument. The third feature is the blue progression which is the form of the combination between tonic(I), subdominant(IV), and dominant(V) chords. It is usually arranged as: I- / IV- I- / V- I-. Another characteristic is that the timbre of the vocals in blues have a wide varieties. Every single piece of blue music features a different kind of vocal texture. The rhythm in the blues has a characteristic called swung which means the long-short pattern of the rhythm. In all three pieces of music, the blue note and the blue chorus are applied to the composition. The bent texture of the pitch and the neat separation o f the lyrics can be easily notice in the music. The call and response in vocals and instruments, on the other hand, is not so obvious in Can t Help Lovin Dat Man, but I think, though subtle, it is still there at the end of each line. The rhythm in the Muleskinner Blues is more steady instead of the long- short patterned swung. The swung is not so obvious in Can t Help Lovin Dat Man, either. Overall, there are some standard blue style in all three pieces of music, but weShow MoreRelatedIn The Middle Of The 19Th Century, Congo Square Became1369 Words   |  6 Pagesdeveloping ragtime styles and the cultural celebratory music of Congo Square, these bands started infusing their music with blues notes, syncopated rhythms, and jazz-like phrasing to get their audiences dancing. 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